Abstract Floral Violet, Or I can’t believe I’m wearing a print blouse!

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Most of you know what the Colette Violet blouse looks like. Some of you might remember my first Violet blouse and those of you who chat with me on Twitter, remember that there’s actually an undocumented Violet- the one with the awesome white shirting I got from The French Seam. (It’s white and has a peter pan collar and I don’t know what to wear it with since it makes me look like I’m role playing a overdeveloped school girl.)

I’m blogging about this blouse because it’s a print. This is somewhat new for me. When I started making my own clothes, I was actually drawn to prints. Then, I started working toward a better fit and I went solids. My costumes sometimes get prints but most of the time I just prefer texture to a print.

Let me stop talking and show you a couple of pictures.

abstract floral violet abstract floral violet side abstract floral violet front abstract floral violet back

What do you think? Should I keep trying to wear prints? What kind of prints do you recommend for me? I have worked with stripes but they don’t scare me as much as prints do. Share your first forays into sewing with prints.

Swimwear Inspiration: 30s

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Today we’re starting with some swimwear inspiration from the 1930s. Let’s get started.

What do you think of when you hear 30s swimwear? My mind starts at the elegant evening gowns, like this pattern:

Then, I just picture cutting off the long skirt to a “boy short” length and voila! The run down: low back, angly front with some crossing, and very chic.

Let’s look at some bathers from the 1930s.

Click on the image above to go to Wildfell Hall where you’ll read more about 1930s fashions. There’s even a video. You’re going to love it.

As you can see in the image above, these suits were made of worsted wool. The necklines are pretty high compared to period or modern suits and even some 30s gowns I’ve seen.

Here’s a knitting pattern from 1939.

And another one from an Etsy seller Pamoola Vintage (below)

They also have a couple of sewing swim patterns like this top which is said to be a 30s/40s pattern.

Check out Susan Crawford’s book, A Stitch in Time, for some vintage knitting patterns, like this one (below)

Mrs. Depew has two knitting and crochet swim patterns. Both are from 1933 and are size 16. Here‘s a cute suit, ready to be downloaded:

and here‘s another cute number with a skirt, even:

I know a lot of you might not knit but the idea here with today’s inspiration is that you can take what you like, the lines and patterns within 30s swimwear and create the look by cutting, as if to color block block to come up with something truly inspired by this time period.

Anyone loving the 30s swimwear?

SwimAlong 2013: Welcome!

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Welcome to the SwimAlong!

Katie over at Kadiddlehopper and I are co-hosting a swimwear sewalong. We aren’t providing you with a pattern to make. Rather, we’ll be setting things up for you so you have the smoothest of times sewing your first swimsuit, swimmer, bather- so many great names to call these water bound garments.

When you see this banner above, you’ll know you’re in SwimAlong territory. I’ll also make sure to let you know when Katie has a SwimAlong post on her blog only, but really, you just need to follow her blog. She sews all the time and has some great tutorials you might find interesting.

For the SwimAlong, we’ll have guest posts on both our blogs as well as our own tips and inspiration for you. In two months, May and June, we can cover a lot but we can’t cover everything- hey, just like a swimsuit. If you aren’t seeing a topic you wish we’d talk about, leave a comment and we’ll see what we can do.

Here’s the schedule and what you can expect:

May 1 Katie & Leila Swimalong Welcome
May 3 Leila- Inspiration: Vintage look, 30s
May 8 Katie- Inspiration: Vintage look, 50s
May 10 Leila- Inspiration: Victorian swimsuits
May 15 Katie- Inspiration: Scuba Chic- seriously a thing
May 17 Leila- Inspiration: Geek it out
May 22 Katie- Inspiration: Kid’s Stuff
May 24 Katie- Choosing patterns and swim construction resources.
May 29 Katie- Choosing fabrics and where to shop
May 31 Katie- Notions
June 5 Guest Post! Brooke from CustomStyle: Process Guide for Creating a One of a Kind Suit (on Leila’s blog)
June 7 Leila- Full busty flattering
June 12 Guest Post! Norma from Orange Lingerie: Lingerie aspects (on Leila’s blog)
June 14 Guest Post! Sarah from Musings of a Seamstress: Pro tips (on Katie’s blog)
June 19 Guest Post! LadyKatza from PeanutButterMacrame Swim Coverup (on Katie’s blog)
June 21 Recap of Resources
June 26 Show and Tell! (only if you wanna)
June 28 Wrapping up

At the end of the Swimalong, all these topics will have links to the appropriate blog post for your convenience. You can also visit my blog and us

We’ll be going from today till the end of June, which is when we hope to parade your makes. You don’t want to pose in your suit for the internet? We completely understand. We welcome all photos. Put your suit on your double or on a bed or on your head. We do have a private Flickr group you are welcome to post in. Why private? We thought it would help with fitting and showing off our work without the stress some might feel when posting swim pictures online. To join, leave me your Flickr ID and Katie or I will send you an invite. We value everyone’s privacy.

So, join in the fun. Grab the code below for your blog button and enjoy!

Three Dresses Project

<a href=”http://www.threedresses.org&#8221; target=”_blank”><img src=”http://farm9.staticflickr.com/8109/8637094599_2b84ab3250_q.jpg&#8221; alt=”Three Dresses Project” width=”125″ height=”125″ /></a>

Vogue Patterns: Summer 2013

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There are some Vogue patterns that have caught my attention but not all of them are for me to make. You see, I’m starting to sew with knits more and I’m trying to buy fabric for the kind of garments I like to wear. It’s kind of a thing for me now to sew with knits.

I went through the patterns Vogue just put out for Summer 2013 and picked out the ones I’d actually make. Realistically.

[Click on the images to go to the original websites.]

When I saw this Easy Options shirtdress, I thought 40s and 70s. This one speaks more to the 70s, like a Diane von Furstenberg dress but the accessories reach for today in that modern I’ll take all the period styles and mesh them into one sort of way. Check out the orange cotton knit from Marcy Tilton. Isn’t that something. I Love it!

 

Marcy Tilton’s Shingle Dress is an ode to the 1920s Flapper Dresses but without the total boxiness. I’d love to make it with this stretch lace from Gorgeous Fabrics….

 

and underlining it (without all the tiers) in this silk jersey…though maybe a different color underlining would look cool, too.

I like this next dress Kay Unger pattern but I’m not sure what to pair it with yet. I like the neckline darts and the skirt pleats a lot.

But, really, I just want that fabric.

Those are my realistic buys. I like some components of some of the jackets but without a collar, I’m less likely to make them. I could draft a collar, yes, but for now, in the early stages of learning jacket making, I need to keep it simple.

Did you find any Vogues you like? Any immediate ideas pop in your head?

Sewing Surprises Reveal

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Nova over at SparklySuperNova organized a gift exchange called Sewing Surprises. We were assigned a partner, though they weren’t the same person we’d be getting a surprise from, which I thought was interesting.

I surprised Sarah with…well, I’ll let her tell you all about it.

I got a lovely surprise from Laurie at SewExhausted. She sent me yardage of this floral print. I’m thinking a shirt dress. Yes, a shirt dress. I love it and that says something coming from someone who doesn’t do much in the print realm.

She sent me a really cool card which you can see below furthest left, a journal, middle, and she made me a fabric basket. I’ve always wanted one and I just never made one- crazy, I know! It’s just one of those things.

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Inside the fabric basket, she also sent me some cool buttons, ribbon, beads and hem facing. I love it all.

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This was officially my first swap. I can see why people get hooked on these. They are so fun. It’s nice getting a surprise box from someone you know from Twitter and the blogosphere, like I know Laurie.

Thank you to Nova and thank you to Laurie!!

Are you participating in any swaps or do you shy away from swaps altogether? Any swaps I should look out for?

Sewcialists Emblem Voting OPEN April 24 until May 8

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Welcome Everyone! We’re here today to vote on the 6 Sewcialists emblem entries. Please consider the following before you cast your vote:

We asked each designer to design an emblem that…

  • Relates to sewing and the social nature of sewcialists
  • Is modern, simple, recognizable and memorable
  • Is useable in black & white as well as in color

You can read the rest of the requirements on the Sewcialists.org site. On this site, you can also find the rest of the Jury Blogs. You are allowed one vote per jury blog. The Jury itself will not be voting. The jury eliminated the short-list portion of this contest. The designs up for vote are the designs that were submitted.

When you vote on our blogs, please make your vote very clear, typing in the # of the entry and the designer’s name.

Included before each design is a portion of the designer’s cover letter to give you context.

Voting closes on May 8th at midnight Eastern time in the United States. 

Entry #1- Bev

I chose my designs as a globe representing the world wide sewing community, needle and threads to represent sewing, threads of different colours to represent our differences and a computer mouse to represent our mode of communication. SewcialistSewcialist bw

Entry #2- Gareth

I think that this design shows the close-knit (excuse the pun) nature of
Sewcialists. It places them within the circle created by the threads coming from the needles. I think this nicely sums up the idea of a community brought together by the hobby that they love.
Sewcialists
Sewcialists_no_txt
Entry #3- Sabina
I basically wanted to keep the logo very simple and recognisable. Every sewcialist will at some point use a computer to communicate about their creations or engage with other sewcialists. Although there are lots of different hardware options to enable us to do this (smart phones, desk tops, tablets etc etc) I thought the world at large would be able to immediately recognise a standard laptop to represent how the online community interacts.The sewing machine in the middle was the obvious choice to represent what sewcialists do at the very heart of our creativity. It’s actually based on my Janome 525S machine! The dot and dash circle enclosing the logo represents to me the cutting lines on patterns!
sewcialist logo B&W no word sewcialist logo colour no word sewcialist logo final B&W sewcialist logo final
Entry #4- Joost

The design uses a button and bobbin to relate to sewing whereas the smiley face speech balloon relates to the social nature of sewcialists.

The button is slightly rotated. It makes it visually more pleasing and reminds us that sewcialists needn’t adhere to the stereotype of off-the-peg garments. The bobbin is half-filled with thread, indicating it’s being used. The friendly chatter that sewcialists engage in online is embodied in the form of a speech balloon/smiley face.

The emblem is simple in its design and its button and bobbin shapes breathe ‘sewing’. The combination of three basic elements makes it memorable, yet distinctive.

The black and white version at the bottom and the color version at the top prove that the logo ‘works’ regardless of colors.

But I don’t like the color!

You don’t have to. You may like the same dress pattern as another sewcialist, but that doesn’t mean you should make it in the same color, right?

The strength of the design is its shape. Only you can choose your prefect colors. So, pick your own colors and make this design your very own sewcialist emblem.

You can do so online at this address:: http://lab.decock.org/sewcialists/

ColorEmblemWithoutTitle ColorEmblemWithTitle MonochromeEmblemWithoutTitle MonochromeEmblemWithTitle

Entry #5- Dylan

CoverLetter

LogoProposal

Entry #6- Anne

My design is a patchwork globe revolving on an axis which is represented by the dress form. The needle and thread which changes to a computer mouse representing the lines of communication going round the globe linking sewing and the social media.

My idea for this came from the inclusive and diverse nature of the sewcialist community represented by the patchwork pieces of the countries – linked by a common thread – our sewing and means of communication. My favourite author is Anne Tyler who wrote the book A Patchwork Planet so a bit of me. I also wanted to represent all sewers, the dress form for the garment sewers among us and the patchwork, yes you’ve guessed it! for the patchwork community.
The text around the outside gives a vintage feel – I think – to the design. I mention the word Sewcialist  at the top and I felt we should aim high – with a bit of humour so a bit tongue in cheek with the proclamation that we will unite the world with our stitches.
emblem as vector (1)
emblem as vector2 (1)
emblem_with_writing_black_and_white
Good luck to the designers!
Jury members blogs for more voting. Remember, one vote per blog.

Sleepytime, aka McCalls 5248

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With all the Spring cleaning I’ve been doing, I realized I don’t have any summer pajamas that I like wearing. During the last pattern sale, I scooped up two patterns and ended up making McCalls 5248.

And here’s my version, made up in a poly chiffon from JoAnn. I was surprised, too. We’ll see how the chiffon washes and wears.

chiffon nightgown front

The pattern doesn’t call for elastic at the underbust but I added it to keep things in place.

chiffon nightgown back

I also added elastic to the back.

chiffon nightgown inside front

The photo above shows the inside of the bodice with interfacing and the wide elastic. Thinner lingerie elastic wouldn’t have done the trick.

chiffon nightgown inside closeup front

So, the inside still looks decent but I got to the point where I just wanted this thing done and I didn’t encase the elastic or do anything to nicely finish the insides. You know that feeling.

chiffon nightgown inside back

The back elastic looks really raw to me but it does the trick and, again, my woe for not wanting to work on this any more than I had. It was supposed to be a quick project.

How did I adjust for my bust? Today is not brought to you by the full bust adjustment. Rather, I did a pivot a slide style bust adjustment. I knew I was going to be using elastic under the bust and I wasn’t going to be wearing this with a bra so I went for a different approach.

To pivot and slide a pattern, first you need what you want your final measurements to be. To do this, I placed the pattern over my bust and matched up the pattern apex with my own. It proved that I’d only need length below the apex, an interesting realization which I will play with on other garments.

To start, I grabbed some white twill so I could trace and alter onto the fabric and do a quick test to see if it was going to fit.

M5248 adjusting bust1

The photo above shows where I plotted my needed length. I traced the top and sides of the pattern as they were originally for the size XL (and honestly, I didn’t need that much width- I took about an inch off the width in the end). I started to connect the dots but then realized I still wanted the sides to match up so I held off on completing the new line- you’ll see it in later photos.

M5248 adjusting bust2

Then, I pinned the armscye corner and unpinned the rest of the pattern so it could swing into the new size I was creating.

M5248 adjusting bust5

I measured 2.5″ from the side and plotted that point on my bodice. That would be the point where I would taper the new under bust curve to the side seam.

M5248 adjusting bust3

Pivot time. Here I’m trying to decide how much to pivot.

M5248 adjusting bust4

And I settled on pivoting the side past where I drew the side line. In the photo above, I’m pointing with my index finger at the original side line (which I kept) and with my thumb at the new underbust line I had started to draw based on the amount of length I needed.

M5248 adjusting bust6

Above, you can see how all the lines helped me decide what the new pattern would look like.

M5248 adjusting bust complete

This last photo is the new bodice pattern. I could’ve started with the L size and had enough room width wise. Luckily, all I had to do to adjust that was sew larger side seams.

Things I should’ve done and I should know better:

1. French seams but I opted for stitch and serge.

2. Baby hem but again serged. I hate myself for that.

3. Line the bodice with a stiffer fabric. I’m a loser baby and I’m sure I’ll kick myself for it later.

4. Cut a smaller back. Don’t I preach this one enough? Well, I had to take a dart in the back after the elastic was in because I measured the elastic to my back so that my front would stay in place so the back was poofy. All concealed.

5. I interfaced the bodice which I spent the most time handling but I could’ve done a gelatin wash on all the fabric to make it that much easier to manage.

The pretty bits:

The spaghetti straps. Pretty pretty.

The lace.

The fabric.

chiffon nightgown

It’s all said and done and I’m proudly putting this into my sleepwear rotation.

Fabric Chat

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We may not participate in party lines (click the image to learn more) but at least there’s Twitter. There is always really helpful chatter on Twitter about sewing and garment making, not to mention all the helpful tweets about fabric. I can’t count how many times I’ve turned to Twitter to ask about fabric. So, amidst the regular fabric and sewing talk that goes on, let’s also do a weekly Fabric Chat!

I’m picturing a one hour open Twitter chat (using the hashtag #FabricChat so we can find each other) where people curious about different fabrics hone in on one specific fabric, talk about it, share projects we’ve made with that fabric and answer any questions that arise. We can get into details about what fabric to start with and take suggestions any time about what fabric people are curious about but before we get there, we need to decide on a time and a day.

Picking a day and time is harder than picking a fabric. We are a group of sewcialists from all over the world. This Fabric Chat is meant to be open and everyone’s invited, but time restrictions are going to exclude some. For that, I apologize. If only we didn’t need sleep. I can post the chat transcript on my blog to help bridge any time gaps and so people can still get notes from the chat.

So, take the poll. Answer one of the three options given or add your own suggestion. If evening works better for those of you in the United States, please add a day and time option.

All times are Eastern Daylight Time in the U.S.

I’m leaving this poll up for a week. Do you feel that’s long enough for us to get the word out that we’re doing this? If not, leave me a comment and we can extend it. I just don’t want it to go on for so long that we lose momentum.

While you wait, check out the Oliver + S blog for a post on how linen is made. They just started doing this feature called Fabric Friday. Might interest you.

And please spread the word to your Twitter pals.

Architextures Craft & Quilt Ideas

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I keep going around in circles, trying to decide what to do with the quilting cotton Architextures line I have and I’m still mystified as to what I should do. Here’s a small roundup of projects I’ve found online that “should” inspire me and hopefully help me settle on a project.

I could do hexies like The Little Red Hen did.

There’s the Science Fair quilt pattern or The Local quilt pattern, both by the designer of the fabric line, Carolyn Friedlander.

Modern Quilt Relish made a beautiful quilt from Architextures leftovers.

Plum and June put together some ideas for using up her stash of Architextures. I’ll definitely want to use every last bit of the fabric I have.

I think I have a case of the “it’s too precious” accompanied by “I want to love it so it should be perfect”. How do I get rid of that feeling?

You know how? You wait and wait and search and search and ask all your friends for patterns until, one day, when it seems like nothing will satisfy your need for the perfect pattern, you find it. It must have been there all along! It’s by the designer.

I think I’m set now. Things that attracted me to this quilt are that it really does look like an aerial shot. When I was doing my undergrad, I had a class called “Cultural Geography”. The teacher annoyed me so much I had a hard time listening to him but the readings were interesting as were his aerial slides.

We’d spend time looking at aerials, drawing conclusions about what the people that lived there were like. What cultural assumptions could be made? It was interesting and since I graduated in 1999, it’s obviously left a mark.

Another thing that I love about this quilt is that it suggests you use different fabrics to create textures. I can use velvet or corduroy or silk or anything. This is exciting.

The easy decision now is what size to make. Well, easy compared to finding the pattern. I have one jellyroll and two charm packs. Anyone know what size I could make with that amount of fabric? Hashtag: quiltnoob.

Quilt Idea: Hexagon Field

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These images are from Kazu Kibuishi’s book Amulet: The Last Council. It’s book four of a series.

The Hexagon Field is a puzzle the characters have to solve it to cross and continue on their adventure. I’ve thought of these images since I first read the book to my kids. I don’t think they were as mesmerized as I was but that doesn’t bother me.

With all the hexies I’ve seen my Twitter friends making, and my slow garment making as of late, I thought I should play around with a quilt top.

I have a Architextures fabric but no pattern picked out yet. I want something that isn’t too basic but not too complicated and that doesn’t use solid in the background.

What I’m saying is that I want to sew but I don’t want to sew garments so I should reset my sewing expectations as well as reorganize my sewing to do list. Wish me luck.

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